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Roe Ethridge, Old Fruit, 2010 |
I chose this image because I find it very interesting that the photographer chose to preserve something so revolting in such a beautiful manner.
http://www.moma.org/interactives/exhibitions/2010/newphotography/roe-ethridge/old-fruit/
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Zeke Berman, Interior, 1982, 16x20in. |
I chose this image because I like the nostalgia that it evokes. Even though the subjects seem very staged and the photograph was taken very deliberately, it still feels like it's preserving a memory or some specific place in time.
http://zekeb.com/galleries/1980-1984/1980-1984.shtml
Both of these images are still lives. Ethridge's image, technically speaking, follows more of a traditional layout of a still life. The subject matter however, is a little unconventional, usually something not dead or rotting is included. Berman's image is not set up quite as traditionally as Ethridge's. It could be considered a contemporary still life. But like Ethridge's, the items included seem to be there very purposefully, like they are meant to convey something specific.
Images of My Own:
I chose this image for its simplicity. I like how there isn't much in the photo, but the little there is, can be pretty powerful. A lot of symbolism can be drawn from a window that is included in a photograph.
I chose this image mostly for the color. I love photos with saturated, vibrant colors. I also like that the pumpkins fill the entire frame, leaving room for nothing else.
I chose this photo because of its extreme perspective. I think the use of perspective can add interest to something that may otherwise be boring. I also like the contrast of the vibrant blue sky with the muted colors of the worn wood and corn stalks.